The Indian Music Archive
Gharanas & musical lineages
Tappa lineage · Approved research as of 10 October 2026 · https://indianmusicarchive.org
Tappa lineage
also Punjabi tappa, Gwalior tappa, Benares tappa
A short, restless form built from quick knotted phrases; difficult to sing well and kept alive by relatively few musicians.
- Type
- regional style
- Where it grew
- Punjab, later Gwalior, Varanasi and Bengal
- Voice or instrument
- Semi-classical vocal
- Earliest documented figures
- Ghulam Nabi Shori
Ghulam Nabi Shori, known as Shori Miyan, is credited with shaping tappa from Punjabi camel-drivers' songs in the late eighteenth century.
- Ghulam Nabi Shori18th centurySemi-classical vocalNo page yet
Also written Shori Miyan
Credited with creating the classical tappa.
No teaching relationship was proposed for this musician, so no relationship check was run; biographical research is still outstanding.
Sources: Tappa — Wikipedia · Mian Ghulam Nabi Shori · [Solved] ________ was a prominent musicians of Faizabad ...
- Ramnidhi Gupta1741–1839Semi-classical vocalNo page yet
Also written Nidhu Babu
Adapted tappa into Bengali as tappa-style Bengali song.
No teaching relationship was proposed for this musician, so no relationship check was run; biographical research is still outstanding.
Sources: Nidhu Babu — Wikipedia · The Timeless Melody of Nidhu Babu: Introduction of Tappa ...
- Girija Devi1929–2017Thumri and tappa
One of the last singers to perform Benares tappa regularly in concert.
Taught by Sarju Prasad Misra
Relationship checking is complete against the source text read for this musician; wider biographical research is still outstanding.
Sources: Girija Devi — Wikipedia
Sources for this tradition
Researched entry · 3 musicians documented · Last reviewed 14 September 2026