regional style · Semi-classical vocal
Tappa lineage
A short, restless form built from quick knotted phrases; difficult to sing well and kept alive by relatively few musicians.
Punjab · 3 musicians documented
Hindustani music is taught person to person. Browse the traditions by voice, instrument or place, and open one to read who is documented within it.
The names of these traditions — gharana, bani, teaching line, regional style — describe different things, and each entry says which it is. Where a teaching link is shown, a sentence in a named source supports it. Where it is not, we say so, and the claim stays unpublished.
This is growing research rather than a complete map. Not every instrument organises itself into gharanas, many musicians here do not yet have a page of their own, and dates, founders and teaching links are left out wherever a source has not yet settled them. Additions are read by an editor before they appear. Carnatic traditions are a later phase.
1 tradition
Khayal and the lighter classical forms. A gharana here is recognised by how it opens a raga, shapes a taan and treats the words — usually named after the town where its founding family settled.
regional style · Semi-classical vocal
A short, restless form built from quick knotted phrases; difficult to sing well and kept alive by relatively few musicians.
Punjab · 3 musicians documented