Hindustani classical · born 1986

Rimpa Siva

The Kolkata prodigy who made a solo career out of the Farrukhabad repertoire.

Instrument
Tabla
Gharana
Farrukhabad gharanahereditary and trained

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Tabla solo in the Farukhabad style — Darbar Festival

13:47 · darbarfestival

An excerpt published by the festival; the full concert sits behind Darbar's own player.

Watch on YouTubeUploaded 2021-08-14

Recordings are embedded from official or authorised channels and never rehosted. Nothing plays on its own, and starting one closes another. Where an editor has added a note, it explains why that recording was chosen — not what happens inside it.

Biography

Life

Rimpa Siva was born in 1986 in Kolkata, the daughter of Professor Pandit Swapan Siva, a Farrukhabad gharana tabla player and one of the city's most sought-after teachers. She has said she was drawn to the instrument at three, sitting beside her father while he taught his students, and that he had assumed she would take up voice or another instrument before he saw how persistent the interest was. He became her only guru.

She gave her first stage performance in Kolkata at eight, and went on to play in the United States while still in school, followed by Holland and the United Kingdom. A French documentary about her, Rimpa Siva: Princess of Tabla, was filmed in Kolkata over twenty-six days; the film is dated 1998 in her own account to The Hindu and 1999 in several later listings. By her early twenties she had appeared on around fifty recordings.

She played a full-length teentaal solo at the Darbar Festival in Leicester in April 2007, with Sandeep Mishra on sarangi — a recital Darbar's own account describes as the point at which she was recognised internationally. She continues to perform solo and in jugalbandi, and speaks directly about being one of very few women to have made tabla a profession, while declining to treat that as the interesting part of her work.

Her father's line runs through Ustad Karamatullah Khan of Farrukhabad; his other well-known disciples include Pandit Subhankar Banerjee.

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Musical contribution

What they brought to music

Siva's solos follow the classical Farrukhabad shape — an unhurried peshkar opening that establishes tone before anything fast happens, then qaidas with their expansions, relas, tukdas and gats. What listeners and reviewers tend to single out is clarity at speed: the bols stay separately audible rather than blurring into a run. Her Darbar recital closed with a bol-laden gat attributed to Ustad Abid Hussain Khan, one of the Farrukhabad compositions her father's line carries.

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In pictures

Photographs

Rimpa SivaKrupasindhu Muduli · CC BY-SA 3.0

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Lineage & company

Teachers, students and musical connections

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Family

  • Professor Pandit Swapan SivaFather and only teacher

    Farrukhabad player and teacher in Kolkata; taught her from early childhood.

    Rimpa Siva — Darbar
  • Ustad Karamatullah KhanTeacher of her father

    Her father's guru, through whom her Farrukhabad line runs. Not her own teacher.

    Professor Pandit Swapan Siva — Darbar
  • Pandit Subhankar BanerjeeFellow disciple of her father

    Another of Swapan Siva's well-known students; a shared teacher, not a direct relationship.

    Professor Pandit Swapan Siva — Darbar

Collaborators and accompanists

  • Sandeep MishraCollaborator

    Sarangi accompanist for her Darbar Festival solo, Leicester, April 2007.

    Rimpa Siva — Darbar

Writing

From the journal

Community

Memories from the community

Personal recollections, not verified history

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Provenance

Sources and image credits

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