Percussion

Tabla

A pair of hand drums that carry the rhythmic life of Hindustani music.

A pair of tabla drums on stage with a player's hands above them.
A tabla pair: the wooden dayan played by the right hand and the metal bayan by the left. Rounik Ghosh via Wikimedia Commons (CC BY-SA 4.0)

Introduction

The tabla is a pair of drums: the smaller wooden dayan played with the right hand, and the metal or clay bayan played with the left.

How it makes its sound

Each drumhead carries a black tuning paste that gives a clear pitched ring. Fingers and palm produce a vocabulary of distinct strokes, and pressure from the left hand bends the bass note up and down.

Its place in the music

The tabla keeps and elaborates the taal, the rhythmic cycle. It accompanies vocal and instrumental music, and is also played solo.

A short history

The instrument is documented in north India from the eighteenth century, and distinct playing traditions grew up in Delhi, Lucknow, Farrukhabad, Ajrara, Benares and Punjab.

Hear it

A short sample, drawn from the instrument's most significant players, one recording each.

Delhi peshkar — the 1930s recording, with Kippen's transcription

Recorded 1937 · 2:05 · Romancha Pralapa

The only known recording of Natthu Khan playing. A forum member merged the audio with Kippen's notation and put it online in 2012; this is a listener's upload, not an official release. The recording date is given by Kippen only as the mid to late 1930s.

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Ustad Natthu Khan

Start here

Teentaal — tabla solo

Akashvani AIR

A broadcaster-published tabla solo in teentaal from the All India Radio archive.

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Ustad Ahmed Jan Thirakwa

Tabla solo in Teentaal, live 1 February 1957

Rageshree Music Institute

Dated concert recording of an Ajrada tabla solo, posted by the Rageshree Music Institute.

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Ustad Habibuddin Khan

Teental — tabla solo

Vaibhav Tipnis

The teental for which he is best remembered, and the clearest surviving example of the na-dhin-dhin-na he is named for. A listener's upload; no release details are stated.

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Pandit Anokhelal Mishra

References

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