Hindustani classical · 1886–1952

Pandit Sawai Gandharva

The teacher through whom Kirana singing reached Karnataka and Maharashtra.

Instrument
Khayal vocal
Born
19 January 1886, Kundgol, near Dharwad, present-day Karnataka
Died
12 September 1952

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Where to start

Begin listening

Piya gunwanta

Puriya · 78 rpm disc · Recorded 1938 · 3:26 · Sundeep Dougal

A three-minute side, the length a shellac disc allowed. Transferred from the original record by a private collector.

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Kal na pare maiko

Shankara · Shellac 12-inch, 78 rpm · Recorded 1945 · 4:34 · Sundeep Dougal

Transferred from the original twelve-inch disc by a private collector.

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Jao jao sakhi madhuban mein

Tilang · 78 rpm disc · Recorded 1945 · 6:52 · Sundeep Dougal

Transferred from the original disc by a private collector.

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Biography

Life

Ramachandra Kundgolkar, known throughout his life as Rambhau and later by the stage title Sawai Gandharva, was born on 19 January 1886 at Kundgol, some nineteen kilometres from Dharwad in present-day Karnataka. His father, Ganesh Saunshi, was a clerk to the landlord Ranganagowda Nadiger. School held little for him beyond the singing his teachers admired, and his formal education ended when the family could no longer pay for it.

His first teacher was Balwantrao Kolhatkar, then living at Kundgol, from whom he learned a large body of dhrupad, tarana and other compositions before Kolhatkar's death in 1898 left the training unfinished. Ustad Abdul Karim Khan was at that time touring Karnataka and often stayed with the Nadiger family; hearing the boy sing a Bhairavi composition, he accepted him as a student, on the condition of a long period of study. The apprenticeship began in 1901.

Against his teacher's wishes he joined the Marathi stage, working for a time with Govindrao Tembe's Shivraj Natak Mandali and drawing particular acclaim in female roles — the honorific Sawai Gandharva, meaning "one and a quarter Gandharva", was bestowed in comparison with Bal Gandharva, the reigning figure of Marathi musical theatre. A paralytic stroke in 1942 ended his concert career at fifty-six, but he went on teaching until his death on 12 September 1952. The annual Sawai Gandharva festival at Pune, begun by Bhimsen Joshi in his memory, carries his name.

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Musical contribution

What they brought to music

His reputation rests less on a recorded legacy — only a handful of early discs survive — than on what he transmitted. The slow, weighted Kirana approach to raga he received from Abdul Karim Khan passed through his teaching into several very different voices, and his years in Marathi theatre gave him a directness of delivery that his students remembered.

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Life in dates

Timeline

  1. 1886

    Born at Kundgol

    Born on 19 January near Dharwad, in present-day Karnataka.

  2. 1898

    First teacher died

    Balwantrao Kolhatkar, with whom he had begun training, died, leaving the study unfinished.

  3. 1901

    Began study with Abdul Karim Khan

    Accepted as a disciple after the Ustad heard him sing at the Nadiger household.

  4. 1910s

    Marathi stage

    Sang with Govindrao Tembe's Shivraj Natak Mandali and became known for female roles; given the title Sawai Gandharva.

  5. 1942

    Concert career ended

    A paralytic stroke ended his performing career at fifty-six; he continued to teach.

  6. 1952

    Died

    Died on 12 September.

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Lineage & company

Teachers, students and musical connections

In the documented teaching trees

Where the archive's lineage research places Pandit Sawai Gandharva, and the teaching links recorded around them inside each tree.

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Teachers and gurus

Students and disciples

Recognition

Honours and recognition

  • Sawai GandharvaA stage title, meaning "one and a quarter Gandharva", given in comparison with Bal Gandharva of the Marathi stage.

Community

Memories from the community

Personal recollections, not verified history

These are memories shared by listeners and musicians. They sit apart from the sourced biography above, and an editor reads each one before it appears.

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Provenance

Sources and image credits

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