Hindustani classical · 1929–2008

Sharan Rani

The first woman to take the sarod onto the international concert stage.

Instrument
Sarod
Born
9 April 1929, Old Delhi
Died
8 April 2008
On these dates
Sources differ on the size of her instrument collection: Wikipedia and the National Museum describe 379 instruments from the fifteenth to the nineteenth century, while her PTI obituary and the ITC Sangeet Research Academy tribute both say "nearly 450".

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Biography

Life

She was born Sharan Rani Mathur on 9 April 1929 in the walled city of Old Delhi, into a conservative Hindu family of businessmen and educationists with no musicians in it. She learned the sarod as a girl from Ustad Allauddin Khan and his son Ustad Ali Akbar Khan, against considerable family opposition: at that time a musical career belonged either to hereditary gharana families or, in the public mind, to courtesans, and not to the daughter of a respectable household. She also studied Kathak with Achhan Maharaj and Manipuri dance with Nabha Kumar Sinha, and took an M.A. at Delhi University in 1953.

She began giving recitals in the late 1930s and continued for some seven decades. She was among the first Indian musicians to record for UNESCO and to release records with major companies in the United States, Britain and France, and among the earliest artists of All India Radio and Doordarshan. Nehru called her India's cultural ambassador; she was widely known as Sarod Rani.

She taught in the guru–shishya manner and never charged a fee, with students living in her house for years at a time. In 1992 she published a history of her instrument, The Divine Sarod: Its Origin, Antiquity and Development, with a second edition in 2008. Her collection of 379 instruments, dating from the fifteenth to the nineteenth century, was given to the National Museum in New Delhi, where it is displayed as the Sharan Rani Backliwal Gallery of Musical Instruments. She died on 8 April 2008, the day before her seventy-ninth birthday.

She belonged to the Maihar-Senia gharana through Allauddin Khan, and was the first woman to take up the sarod as a concert instrument and the first Indian woman instrumentalist to win an international following. Concerned that the dhrupad tradition was fading, she had some of her recitals accompanied by pakhawaj as well as tabla. Yehudi Menuhin wrote that he hastened "to add my voice to the many admiring and grateful ones which would try to express the love and respect we feel for this great artiste", and Zakir Husain, the President of India, said she had "achieved perfection in music". She was made Padma Shri in 1968 and later Padma Bhushan, and received the Sangeet Natak Akademi award, the Delhi government's Sahitya Kala Parishad award and the Rajiv Gandhi National Excellence award; the government also gave her the title National Artist. In 1998 India Post issued a set of four postage stamps showing instruments from her gallery. She died at her Delhi home on the morning of 8 April 2008 after some time with cancer, a day before her birthday, survived by her husband, the businessman Sultan Singh Backliwal, and their daughter Radhika.

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Musical contribution

What they brought to music

Concerned that the dhrupad inheritance in instrumental music was thinning out, she sometimes had her recitals accompanied by pakhawaj as well as tabla — an unusual choice for a sarod soloist of her generation, and a deliberate one.

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Life in dates

Timeline

  1. 1929

    Born in Old Delhi

    9 April.

  2. late 1930s

    First recitals

    The beginning of some seven decades on the concert platform.

  3. 1953

    M.A., Delhi University

  4. 1992

    The Divine Sarod published

    A history of the instrument; second edition 2008.

  5. 2008

    Died in Delhi

    8 April, the day before her seventy-ninth birthday.

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Lineage & company

Teachers, students and musical connections

In the documented teaching trees

Where the archive's lineage research places Sharan Rani, and the teaching links recorded around them inside each tree.

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Teachers and gurus

Collaborators and accompanists

Other recorded connections

Recognition

Honours and recognition

Highest national honour first, then by year.

  • —Padma Bhushan
  • —Padma Shri
  • —Sangeet Natak Akademi Award
  • Sahitya Kala Parishad Award, Delhi

Community

Memories from the community

Personal recollections, not verified history

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Provenance

Sources and image credits

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