Hindustani classical · c. 1852–1922

Ustad Rahimat Khan

"Bhoo Gandharva" — the son of Haddu Khan whose sweet, effortless Gwalior khayal enchanted Abdul Karim Khan and V. D. Paluskar, and who left a handful of 1919 records.

Instrument
Khayal vocal
Died
1922, Kurundwad
On these dates
Born c. 1852 per the Baithak Foundation; Michael Kinnear gives c. 1852 or 1860. He died at Kurundwad in 1922.

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Listen: Piran ja (Malkauns) / Ghanghanaiya ghanghan tero (Yaman)

Piran ja (Malkauns) / Ghanghanaiya ghanghan tero (Yaman)

Malkauns, Yaman · His Master's Voice · Recorded 1919 · Internet Archive

Two khayals showing his effortless range — the Yaman is the piece Baithak singles out.

HMV P. 4697, recorded Bombay 1919, issued June 1921. Transfer of the 78 rpm disc.

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Listen: Saiyaan daman (Bhairavi tappa) / Jamuna ke teer (hori)

Saiyaan daman (Bhairavi tappa) / Jamuna ke teer (hori)

Bhairavi · His Master's Voice · Recorded 1919 · Internet Archive

A tappa and a hori from the same session.

HMV P. 4696, recorded Bombay 1919, issued June 1921. Transfer of the 78 rpm disc.

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Listen: O kana chhedoji (Bhairavi)

O kana chhedoji (Bhairavi)

Bhairavi · His Master's Voice · Recorded 1919 · Internet Archive

His Bhairavi, coupled with a song by his tanpura player Master Krishnarao.

HMV P. 4701, issued June 1921; the reverse side is by Master Krishnarao.

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Biography

Life

Rahimat Khan was born in Gwalior, probably around 1852, one of the three sons of Haddu Khan, who with his elder brother Hassu Khan had made the family famous as khayal singers at the Gwalior court. He began singing with his father as a boy. Accounts of his life are, as the discographer Michael Kinnear notes, sketchy and largely anecdotal.

After Haddu Khan's death Rahimat Khan wandered across north India, at times singing in the streets, before settling in Benares. There, in the early 1890s, he met Vishnupant Chhatre, a former horse trainer who had himself learnt from Haddu Khan and now ran Chhatre's Circus. Chhatre took him on as the company's musician, and with his support Rahimat Khan sang at many princely courts. Around 1900 he was among the musicians invited to a music conference at Kathmandu.

By the turn of the century he had settled at Kurundwad, near Miraj, under the patronage of its Patwardhan rulers. After Chhatre's death he largely withdrew from performing, though he would still sing when invited, including at concerts in Bombay. Vishnu Digambar Paluskar, who had grown up in Kurundwad, often presented him at recitals organised by his Gandharva Mahavidyalaya. Abdul Karim Khan, living nearby at Miraj, heard him often and was deeply influenced; the two sang at the festival at Narsobawadi.

In 1919 he was persuaded to record eleven sides for the Gramophone Company in Bombay, with Bal Gandharva and Master Krishnarao on tanpura. They were issued in June 1921 on His Master's Voice as by "Rahimat Khan-Haddu Khan". He died at Kurundwad in 1922 and is buried there.

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Musical contribution

What they brought to music

Remembered for a sweet, gentle and melodious voice that moved with ease across three octaves without losing its open "aa" (akar), and for the force with which he began each alap or taan. The title "Bhoo Gandharva" — a celestial singer on earth — came from the sweetness of his delivery.

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Lineage & company

Teachers, students and musical connections

People

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Family

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Provenance

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