Hindustani classical

Sangeetacharya Gokul Nag

The Bishnupur musician who brought surbahar technique to the sitar.

Instrument
SitarSurbahar
Gharana
Bishnupur (Vishnupur) gharana

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Biography

Life

Gokul Nag was born in Bankura, in Bengal, into a family in which music had been practised since his great-grandfather Nafar Chandra Nag; his father was Gobinda Chandra Nag. According to his son, Pandit Manilal Nag, he was heard playing sitar in public as a boy by Ram Prasanna Bandyopadhyay, who then accepted him as a disciple.

Ram Prasanna Bandyopadhyay had learned the surbahar from Sajjad Mohammed Khan, and that inheritance shaped Gokul Nag's playing: he applied surbahar stroke technique to the sitar. He played sitar, surbahar and veena, and taught his son Manilal, through whom the family line continues to his granddaughter Mita Nag.

He is remembered in Kolkata through the Gokul Nag Memorial Foundation, founded by Mita Nag in 2002. Biographical dates for him are not established in the sources consulted here and have been left blank rather than estimated.

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Musical contribution

What they brought to music

Gokul Nag played the sitar with two mizrabs, worn on the index and middle fingers, sounding the chikari strings with his little finger — a method drawn from surbahar practice rather than from ordinary sitar technique. His son has pointed out that other players trained by surbahar and sursringar masters, such as Pannalal Bajpai of Varanasi, used a comparable approach, and that the resulting sound is fuller than single-mizrab playing.

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Lineage & company

Teachers, students and musical connections

In the documented teaching trees

Where the archive's lineage research places Sangeetacharya Gokul Nag, and the teaching links recorded around them inside each tree.

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Teachers and gurus

  • Ram Prasanna BandyopadhyayGuru

    Heard him playing as a boy in Bankura and accepted him as a disciple; had himself learned surbahar from Sajjad Mohammed Khan.

    Music Mapping of Kolkata

Family

Community

Memories from the community

Personal recollections, not verified history

These are memories shared by listeners and musicians. They sit apart from the sourced biography above, and an editor reads each one before it appears.

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Provenance

Sources and image credits

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