Hindustani classical · 1899–1969

Ustad Amir Hussain Khan

The left-handed doyen of Farrukhabad tabla, nephew and heir of Munir Khan, whose compositions and Bombay school shaped generations of tabla players.

Instrument
Tabla
Born
October 1899, Bankhanda, Meerut district, Uttar Pradesh
Died
5 January 1969
On these dates
Born October 1899 and died 5 January 1969 per The Oxford Encyclopaedia of the Music of India and Arvind Mulgaonkar; no source gives the place of death.

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Where to start

Begin listening

Rupak Taal — tabla solo

Saregama Hindustani Classical

A solo from the HMV catalogue, the best starting point.

Saregama (HMV).

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Tabla solo — Ektala and Roopak (AIR broadcast)

Dr. Ashok Da Ranade Archives

A long radio solo showing his compositions in two talas.

From the B. D. Kulkarni cassette collection, digitised by the Dr Ashok Da Ranade Archives, Pune. About 30 minutes.

Watch on YouTube

Jhaptaal & Jhampa — tabla and pakhawaj

With Pandit Madhavrao Alkutkar (pakhawaj) · Saregama Hindustani Classical

A rare tabla–pakhawaj pairing.

Saregama (HMV). Originally HMV 78 rpm N 92589.

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Recordings are embedded from official or authorised channels and never rehosted. Nothing plays on its own, and starting one closes another. Where an editor has added a note, it explains why that recording was chosen — not what happens inside it.

Biography

Life

Amir Hussain Khan was born in October 1899 in Bankhanda, a village in Meerut district. His father, Ahmed Baksh Khan, was a sarangi player who had been brought from Meerut to the court of the Nizam of Hyderabad, and he began teaching his son music at six.

The boy preferred the tabla, and his maternal uncle Munir Khan — one of the great tabla masters of his day — took over his training, first during visits to Hyderabad and later in Bombay, where Amir Hussain went to live with him. Munir Khan taught him everything he knew, including the art of composing for tabla, and Amir Hussain stayed with him until his uncle's death in 1937.

He became a celebrated performer, known for building from a slow, steady beat to an overwhelming climax. His disciple Arvind Mulgaonkar recalls that as a guest of the Maharaja of Raigarh he once played for four hours without repeating a composition. He was left-handed and played the bayan with his right hand.

From about the mid-1940s he lived in Bombay, where he founded the Munir Khan Tabla Vadan Kalalaya in Girgaum, named after his guru. His students included Nikhil Ghosh, Arvind Mulgaonkar, Pandharinath Nageshkar, Ghulam Rasul Khan, Sharif Ahmed and his son Fakir Hussain. He died on 5 January 1969. His compositions — kaidas, relas and gats — remain among the most widely taught in the Farrukhabad tradition.

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Musical contribution

What they brought to music

A prolific composer whose kaidas, relas and gats form a large part of the Farrukhabad repertoire. Left-handed, he played the bayan with his right hand.

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Lineage & company

Teachers, students and musical connections

In the documented teaching trees

Where the archive's lineage research places Ustad Amir Hussain Khan, and the teaching links recorded around them inside each tree.

People

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Students and disciples

Family

Collaborators and accompanists

Community

Memories from the community

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Provenance

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