Hindustani classical · 1935–2018

Ustad Imrat Khan

The surbahar master of the Etawah line, and one of its most exacting teachers.

Instrument
SitarSurbahar

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Where to start

Begin listening

Yaman Kalyan on surbahar

Yaman Kalyan · 10:15 · Imrat Khan

Published on the artist's own channel. The description states he believed this to be a televised performance in Germany around the early 1980s; that date is his recollection, not documented, so no performance year is recorded.

Watch on YouTubeUploaded 2012-05-24

Recordings are embedded from official or authorised channels and never rehosted. Nothing plays on its own, and starting one closes another. Where an editor has added a note, it explains why that recording was chosen — not what happens inside it.

Biography

Life

Imrat Khan was born in Calcutta on 17 November 1935, the younger son of the sitar and surbahar player Ustad Enayat Khan and grandson of Ustad Imdad Khan. His father died when he was a child, and he was brought up by his mother, Bashiran Begum, and her father, the singer Bande Hassan Khan, who gave him his first training in voice and surbahar. In 1944 the family moved to Bombay, where he and his elder brother Vilayat Khan studied sitar with their uncle Ustad Wahid Khan. The brothers settled together in Calcutta in 1952 and performed as a duo for many years, travelling in 1956 with the first Indian cultural delegation to the Soviet Union and Eastern Europe.

From 1961 he performed and recorded on his own, on both sitar and surbahar, and toured widely in Europe, North America and Asia. He played at the Cannes Film Festival in 1970, and his music was used in films by Satyajit Ray and James Ivory. He taught at Dartington, at the Academy of Arts in Berlin and for many years at Washington University in St. Louis, where he lived for the last two decades of his life.

He received the Sangeet Natak Akademi Award in 1988 and was named for the Padma Shri in 2017. He died in St. Louis on 22 November 2018, aged 83.

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Musical contribution

What they brought to music

His work was centred on the surbahar, the bass sitar, which he treated as a full solo instrument rather than an introduction to the sitar. He carried the gayaki ang — the instrumental line modelled on the singing voice — that he had from his family, and was known for slow, deliberate alap and for rarer ragas. He kept to classical repertoire and declined fusion work.

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In pictures

Photographs

Ustad Imrat Khan with his surbahar.Via Wikimedia Commons · CC BY-SA 4.0

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Lineage & company

Teachers, students and musical connections

In the documented teaching trees

Where the archive's lineage research places Ustad Imrat Khan, and the teaching links recorded around them inside each tree.

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Family

Collaborators and accompanists

Writing

From the journal

Community

Memories from the community

Personal recollections, not verified history

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Provenance

Sources and image credits

Photograph via Wikimedia Commons, CC BY-SA 4.0

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