Hindustani classical · 1948–2017

Ustad Rais Khan

A sitarist of extraordinary fluency who carried his art from Bombay to Karachi.

Instrument
Sitar
Gharana
Family tradition of Mohammed Khan; associated with Mewati and Indore beenkar lineages
Born
25 November 1939, Indore, Indore, Indore State, British India
Died
6 May 2017, Karachi, Pakistan

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Where to start

Begin listening

Raga Charukeshi — live at the Bengal Classical Music Festival

Charukeshi · Performed 2013 · 48:09 · Bengal Foundation

Festival organiser's own channel. The title gives the performance year as 2013 (BCMF); the upload is from 2020.

Watch on YouTubeUploaded 2020-05-07

Hans Dhuni — Coke Studio Pakistan, Season 7

Recorded 2014 · 4:13 · Coke Studio Pakistan

A studio production rather than a classical recital — included as a documented later phase of his work in Pakistan. Produced by Strings, Season 7 Episode 7.

Watch on YouTubeUploaded 2014-11-22

Recordings are embedded from official or authorised channels and never rehosted. Nothing plays on its own, and starting one closes another. Where an editor has added a note, it explains why that recording was chosen — not what happens inside it.

Biography

Life

Rais Khan was born in Indore in 1939 into a family with a long line of instrumentalists. His father, Mohammed Khan, was a rudra veena player and sitarist, and began teaching him as a small child on a miniature coconut-shell sitar. The family moved to Bombay, where Rais Khan grew up and gave his first public performance while still a boy.

In 1955 he was chosen to represent India at the International Youth Festival in Warsaw, where he was awarded a first prize. From then on he performed steadily in India and abroad, and became widely known outside the concert hall through his sitar work in Hindi film music, notably for compositions by Madan Mohan.

In 1979 he met the Pakistani singer Bilqees Khanum, whom he later married, and in 1986 he moved to Pakistan and took Pakistani citizenship. He continued to perform almost until his death in Karachi in 2017. Reference sources place his family within the Mewati gharana and connect his father's playing to the beenkar approach associated with Indore; his exact affiliation is described differently in different accounts, and this archive does not assign him to the Imdadkhani (Etawah) gharana on the basis of family connections alone. He was also often described as a relative of Ustad Vilayat Khan, an association he himself discussed in interviews.

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Musical contribution

What they brought to music

Rais Khan was known for a wide, singing meend and for closing recitals by singing — often the film song "Ghungroo toot gaye" — to show listeners how close instrumental phrasing is to the voice. Commentators describe his alap, gatkari and gamak work as distinct in pacing and technique from the Imdadkhani manner with which he is sometimes grouped.

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In pictures

Photographs

Ustad Rais Khan, sitar player.Bhaur, via Wikimedia Commons · CC BY-SA 3.0

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Lineage & company

Teachers, students and musical connections

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Family

Collaborators and accompanists

Recognition

Honours and recognition

Highest national honour first, then by year.

  • 2005Pride of Performance (Government of Pakistan)
  • 2017Sitara-i-Imtiaz (Government of Pakistan)Pakistan's third highest civilian honour.

Community

Memories from the community

Personal recollections, not verified history

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Provenance

Sources and image credits

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