Hindustani classical · Contemporary

Rakesh Chaurasia

A bansuri player trained by his uncle Pandit Hariprasad Chaurasia, and a two-time Grammy winner for his work with Béla Fleck, Edgar Meyer and Zakir Hussain.

Instrument
Bansuri
Schools & gurukuls
ITC Sangeet Research AcademyPerformed at the ITC Sangeet Sammelan
Born
1971, Allahabad, Uttar Pradesh

Rakesh Chaurasia's own pages elsewhere on the web.

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Where to start

Begin listening

Start here

Raag Bhimpalasi

Bhimpalasi · darbarfestival

The clearest single recording of his classical playing at length.

A full afternoon raga on the bansuri, filmed by Darbar.

Watch on YouTube

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Rare Ragas: Prabhateshwari, jhalla

Prabhateshwari · darbarfestival

Shows his speed and breath control in a raga few flautists play.

The closing jhalla of a rarely heard morning raga.

Watch on YouTube

Recordings are embedded from official or authorised channels and never rehosted. Nothing plays on its own, and starting one closes another. Where an editor has added a note, it explains why that recording was chosen — not what happens inside it.

Biography

Life

Rakesh Chaurasia was born in Allahabad in 1971. Published sources differ on the day — the Wikipedia article gives 10 January in its text and 13 January in its summary box — so only the year is stated here until a better source settles it.

He learned the bansuri from his uncle, Pandit Hariprasad Chaurasia, and the Aga Khan Museum's concert biography describes him plainly as "nephew and disciple" of the elder Chaurasia. That training is the documented core of his playing; the Darbar Festival's profile notes how closely his phrasing follows vocal technique.

Alongside solo classical concerts he has recorded and toured widely outside the classical circuit. He appears on the banjo player Béla Fleck's album As We Speak with Edgar Meyer and Ustad Zakir Hussain; at the 66th Grammy Awards in 2024 the album won Best Contemporary Instrumental Album and its track "Pashto" won Best Global Music Performance, both credited to the four musicians. He also worked on Dhafer Youssef's Street of Minarets (2023), and his own albums include Call of Krishna (2003), Dor (2006), Finesse on Flute (2019, with Mukundraj Deo on tabla) and ZaRa (2022, with Zakir Hussain).

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Musical contribution

What they brought to music

His playing is rooted in the bansuri idiom his uncle shaped — long, breath-led phrases and a close attention to vocal shaping of notes — while his collaborative work places the flute alongside banjo, double bass and tabla in written ensemble music rather than raga performance alone.

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In pictures

Photographs

Rakesh Chaurasia with the bansuri.Photograph by Wikimedia Commons user Mvkulkarni23 · CC BY-SA 3.0
Rakesh Chaurasia with his uncle and teacher, Pandit Hariprasad Chaurasia.Photograph by Ramesh Lalwani · CC BY 2.0

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Lineage & company

Teachers, students and musical connections

Documented teaching lineage

Teaching, family, collaboration and influence are recorded separately here; none is ever inferred from another.

In the documented teaching trees

Where the archive's lineage research places Rakesh Chaurasia, and the teaching links recorded around them inside each tree.

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Collaborators and accompanists

Named on other pages

Musicians whose own pages record a connection with this one, in the words their sources use.

Schools, gurukuls and institutions

Recognition

Honours and recognition

Highest national honour first, then by year.

  • 2024Grammy Award — Best Contemporary Instrumental AlbumFor As We Speak, credited to Béla Fleck, Zakir Hussain, Edgar Meyer and Rakesh Chaurasia.
  • 2024Grammy Award — Best Global Music PerformanceFor the track "Pashto" from the same album.
  • 2007Indian Music Academy Award
  • 2013Pannalal Ghosh Puraskar

Writing

From the journal

Community

Memories from the community

Personal recollections, not verified history

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Provenance

Sources and image credits

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