Hindustani classical · 1940s–2000s

Ustad Ali Akbar Khan

A sarod player of grave beauty, and the teacher who built a home for Indian music in America.

Instrument
Sarod
Schools & gurukuls
Ali Akbar College of MusicFounder and teacher
Born
14 April 1922, Shibpur, Comilla, Shibpur, Comilla district, Bengal (now Bangladesh)
Died
18 June 2009, San Anselmo, California, San Anselmo, California, United States
On these dates
Active period taken from the decades recorded in the era field; approximate.

Explore Ustad Ali Akbar Khan's recordings and legacy on the pages kept in their name.

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Where to start

Begin listening

Raga Shree on sarod

Shree · Ali Akbar Khan - Topic

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Raga Chandranandan on sarod

Chandranandan · Ali Akbar Khan - Topic

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Talking Heads interview, NDTV (1999)

NDTV

A long television interview recorded in February 1999, on the broadcaster's own channel.

Watch on YouTube

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Biography

Life

Ali Akbar Khan was born on 14 April 1922, the son of Ustad Allauddin Khan, the Maihar teacher whose students included Ravi Shankar and Annapurna Devi. His training under his father began in early childhood and was legendarily demanding — many hours a day, for years.

He served as court musician to the Maharaja of Jodhpur, recorded extensively, and composed for film, including Satyajit Ray's Devi and Bernardo Bertolucci's Little Buddha.

In 1955, at Yehudi Menuhin's invitation, he performed in New York and made what is often described as the first Western LP of Indian classical music, and appeared on American television. He settled in California and in 1967 founded the Ali Akbar College of Music in Marin County, teaching there for more than forty years.

He died at San Anselmo, California, on 18 June 2009.

The Ali Akbar College of Music's own account of his life fills in the training: his mother was Madina Begum, and after his earliest lessons he was sent to Bengal to study with his uncle Fakir Aftabuddin Khan, who taught him percussion and flute. His father settled him on the sarod at around nine or ten, and the practice that followed — by Khan's own recollection, up to eighteen hours a day for twenty years — also included learning how to teach and how to compose.

In the United States his work was recognised with a MacArthur Fellowship and a National Endowment for the Arts National Heritage Fellowship.

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Musical contribution

What they brought to music

Khan's sarod is remembered for its weight and its interiority: a dark, sustained tone, a slow alap that seems to take its time out of ordinary time, and a command of raga structure inherited directly from Allauddin Khan's Maihar teaching.

His duets with Ravi Shankar defined the jugalbandi for a generation. His other great contribution is pedagogical — the Ali Akbar College trained several generations of players outside India, and did it without diluting the method he had been taught.

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Life in dates

Timeline

  1. 1922

    Born at Shibpur

    Born on 14 April, son of Ustad Allauddin Khan.

  2. 1940s

    Court musician at Jodhpur

    Serves the Maharaja of Jodhpur and records widely.

  3. 1955

    Performs in New York

    Invited by Yehudi Menuhin; records an early Western LP of Indian classical music.

  4. 1967

    Founds the Ali Akbar College of Music

    Establishes his school in Marin County, California.

  5. 2009

    Dies in California

    Dies on 18 June at San Anselmo.

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In pictures

Photographs

Ustad Ali Akbar Khan, 2000.Kannan Shanmugham, via Wikimedia Commons · 2000 · CC BY-SA 3.0
Ustad Ali Akbar Khan with the sarod, 1988.Alephalpha, via Wikimedia Commons · 1988 · CC BY-SA 3.0
Ustad Ali Akbar Khan, archival portrait photograph.Unknown author · Public domain

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Lineage & company

Teachers, students and musical connections

Documented teaching lineage

Teaching, family, collaboration and influence are recorded separately here; none is ever inferred from another.

In the documented teaching trees

Where the archive's lineage research places Ustad Ali Akbar Khan, and the teaching links recorded around them inside each tree.

People

Grouped by the kind of relationship the sources record — who taught this musician, who they taught, family, and the people they played with.

Students and disciples

Family

Collaborators and accompanists

Named on other pages

Musicians whose own pages record a connection with this one, in the words their sources use.

Schools, gurukuls and institutions

Recognition

Honours and recognition

Highest national honour first, then by year.

  • 1989Padma Vibhushan
  • 1963Padma Bhushan
  • 1991MacArthur Fellowship
  • 1997National Heritage Fellowship (United States)

Community

Memories from the community

Personal recollections, not verified history

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Provenance

Sources and image credits

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